White desk with pink notebook, roses, keyboard, and gold paperclips that Francesca Varela uses to write environmental fiction

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  • The Greening of Cities, The Restoration of Wilderness,

    1–2 minutes

    I hope for a world in which the wild has been restored. Seas of open wilderness interspersed with islands of settlements. Cities, but not as we know them now. Buildings with solar panel roofs. Streets of moss, or low-growing grass, lined with raspberry bushes and flickering birch trees. Small homes; open, light, window-heavy, where blue

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  • The Redwoods

    1–2 minutes

    In my “barefoot” walking sandals I wander along endless wood sorrel carpets. Head tilted up, always up. I want to hum to match their steady breathing. There is no wind. The trees; they catch it all. They are not the ones who show us the wind; they are the ones who steal it, who absorb

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  • Which is Greener: E-Readers or Paper Books?

    2–3 minutes

    As an environmental studies grad, an author, and a lover of reading, I often think about the environmental impact of books. I wrote my first novel, Call of the Sun Child, in praise of the natural world–especially the magnificence of trees–yet every paper copy I sell is the carcass of a dead tree. From across the forest

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  • Has Wilderness Solitude Been Stolen From Women?

    2–3 minutes

    There are times when I want walk into the forest alone. Walk where there are no paths. No concrete, or gravel, or dirt trails worn thin by hiking boots. I want ferns by my feet. When I pause, and hold my breath, and listen closely, I want to hear branches clipping together, and distant, wind-woven birds

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Learn more about Francesca Varela's novels