White desk with pink notebook, roses, keyboard, and gold paperclips that Francesca Varela uses to write environmental fiction

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  • All the Waters I Have Seen – The Jordan River

    1–2 minutes

    I cannot reach you on foot; I cannot run to you on sunny days, or sit quietly on your banks. I will never know you well, but I doubt anyone does. I’ve heard little about you. It seems that you’re not charismatic enough—nothing like the Colorado River, or the Green River. You aren’t large or

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  • All the Waters I Have Seen – Wind River

    2–3 minutes

    I woke in the morning to snow. On the way in we’d hiked after dusk, so I hadn’t seen the river yet, nor the mountains on either side. Throughout the day they revealed themselves, coolly, like the moon rising above the horizon. They were blue, and in some places flat on top, like forbidden towers.

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  • All the Waters I Have Seen – Willow Heights

    1–2 minutes

    We hear the clearing before we see it. A parting of winds, a pause in the flickering. We emerge from the flame-trees. Our faces are painted yellow in the light. Flames burning underwater; flames that carry no heat; that is the way of the aspen trees. From the meadow we see the ski resort across

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  • All the Waters I Have Seen – Red Rock Lake

    1–2 minutes

    Memory. Hill and wind unfold at once. Sagebrush. Lodge pole pine. Pronghorn antelope. They run as ghosts at dawn, blurred like distant rain, the echo of clouds that shift over the horizon as though they have deflated, are deflating, ghost-clouds reaching some thicket, some lakeshore, the backs of deer, a rain-world intangible here by the

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