Those bands of red ochre;
those black mottled lines
grayed down by the wind;
they have the matte luster
of hand prints
on cave walls,
where firelight
once feathered
into aurochs
and horses
and bison
and deer,
their bodies rounded by
the dun of crushed shells,
painted by peeling skin
against porous rock,
animal eyes
thin-swept by charcoal,
looking, still, all this way,
piercing but dull, and
filled with the great, soft tragedy
of that which has vanished,
buzzing low
as though breathing,
crouched to the earth,
among the sagebrush,
in the stir before rain.

The Painted Hills
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